ADVANCED MANUAL / bit Ten D /
40
c- Set the desired output equalizations (see 8.12).
d- Insert a CD with a highly dynamic track.
e- Select the “Link” function , move the cursor and increase the output channels level until possible clipping
occurs; in this case move the cursor back at least 2-3 dB (check the value on one of the displays ).
f- Increase the “Volume” to the maximum undistorted level taking it close to “0” dB.
g- In case the signal is highly distorted with the Master Volume at “0” dB, you will have to decrease the output
levels . If, on the contrary, no distortion occurs, you will have to increase the amplifiers sensitivity until the
first distortion symptoms show: by doing this, you will make the most of the available undistorted signal.
Ramark: This procedure leads you to set the system at “zero dB undistorted”. This is not always the best solution,
since a loss in dynamic range may occur, if you listen to a track that has been registered at a lower level or with lower
dynamic range than the track used for the setup. So a good compromise needs to be found, depending on the
listener.
The bit Ten D uses memory A by default for the system’s configuration;
however, it also offers the possibility to store and recall two memories
(A, B). By pressing the MEMORY button on the main menu, different
functions are available for the featured presets.
The following features are available:
- Load All Presets: loads both memories (A/B) from a file
previously saved (.prs format).
- Save All Presets: - saves both memories (A/B) in a file
that can be recalled (.prs format).
- Load Current Preset: loads a memory previously saved
(.pro format) by overwriting the memory you are working on.
- Save Current Preset: saves the memory you are working
on in a file that can be recalled (.pro format).
- Copy Preset From: copies the content of one memory into
the current memory.
- Current Preset Default: restores the crossover and
equalization default values that would be proposed at the end
of the setup procedure.
The following data are stored in each memory:
- the filter settings for each channel;
- the time delay settings for each channel;
- the equalization settings for each channel;
- the output levels of each channel;
- listening point markers.
We recommend that you copy the parameters entered in the memory
you are using into the memory that is not being used.
These memories can be recalled through the DRC. If some memories
are not stored, they will contain the default settings.
8.14 MEMORY
4
6
2
2
11
8
Comments to this Manuals